Okay! So I recently purchased a 7 X 10 inch notebook for watercolor projects. (It's spiral bound, which is a big deal for me because I typically hate those.) I wanted something for small projects and experimentation without having to use large or expensive pieces of paper. I also like that all the projects are in one place, both for practical ease and for reflective purposes. I have a few things going.
Above are portraits of two of the demons from the Ars Goetia, which is a list of all the demons of hell and frankly, they sound just adorable. Beleth is on top, and he's known for looking scary and writing a book of mathematics (seriously). Naturally, he's modeled after Beastie. Paimon is below, and he's fancy. He just is. These were a lot of fun to do, because I had free range imagining them and their outfits, and how those would relate to their personalities. I did choose the more human-looking ones for this project. The curly symbols on Paimon's chest and Beleth's collar are their sigils--every demon gets one and you summon them by drawing the sigils and maybe saying some kind of recitation. So if I suddenly get fancy and my math skills improve, you'll know why. There are two more in the works right now.
Here are some other projects I've been working on! This is some fan art for the podcast Welcome to Night Vale, which I listen to at work so that I can have an even more surreal time there. Seriously, it's great, and its utter lack of visuals makes it perfect fodder for art, since you can create the world completely in your own head, plus the writing is beautiful, as is the score. On top is Erika, an angel who contributed to poetry week. She may have been conflated with one of the hooded figures, hence the hood, but that was the idea I had for her and I'm happy with it. Below is Tamika Flynn, leader of the childrens' resistance against StrexCorp and slayer of librarians. I apologize if this all sounds rather esoteric, but that's really all I can give you. Both of these, like the demons, were fun to do because I had no visual reference other than some cursory descriptions, so everything was completely up to me. With Erika and Tamika, I tried to capture the feel of the characters as well as the feeling of the show itself. The text pieces are lines attributed to these characters, and selecting the style was also important in their portrayal.
More sketchbook projects and inconnu illustrations coming soon. I've been carrying this thing around with me to work and taking 15-minute drawing breaks to keep myself from breaking down and crying all over my boss (again). It's also nice because I can jump back and forth from project to project easily without having ten million separate pieces of paper everywhere. Hooray for sketchbooks!