Finally, a new oil painting. I have been shamefully remiss about painting, and so I'm thrilled to have a new one.
The working title for this is just "Little Maskies," which is stupid, but I'm having a hell of a time thinking of anything decent. It's oil (stand oil glazing) and glitter on canvas, and is based on a photograph I saw on Boyfriend's aunt and uncle's refrigerator in Pennsylvania. It was of their relatives or something on Easter, during an egg hunt, and they were wearing these weird masks and looking unsmiling into the camera. I only had a quick impression of the original, and this is what it became.
Photographing it was a pain; stand oil is so shiny that it's nearly impossible to get a picture without a glare. Even if you think the light is diffused and indirect, it'll show up as a huge, distracting glare in photos. After about 24,596,984 times, I finally got this one, and there's still a glare on the left side. But it's okay.
I've lately been into paintings with large areas of amorphous, atmospheric, washy colors, which are dominating the projects I'm currently working on. I have two actively going and two more in the unstarted phase. I haven't worked with stand oil in a while and I'm excited to start up again.
In terms of the themes I usually work with, this one is a bit different. I'm categorizing it under the Home collection, but it has a number of differences. For one thing, much of the Home body was not created using stand oil, and none of them involve glitter. Glitter has been heretofore reserved for the Trash collection, but it shows up here, in the masks. The figures are different, too. They share some of the silhouette qualities of hoodies, but, obviously, have no hoods. They still, however, retain their air of mystery, having part of their heads/faces covered.
I also have a real thing for trees silhouetted against the twilit sky. It's just so pretty.